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20 July 2009

Manchester's drama queen

Honour for top television producer

Image for Manchester's drama queen

TOP television producer Nicola Shindler has been honoured in her home city of Manchester.

The 40-year-old from Rochdale received an Honorary Doctorate of Arts from Manchester Metropolitan University at a graduation ceremony at the Bridgewater Hall.

Nicola set up and directs independent company Red Productions, which is behind a string of hit series like Queer as Folk, Clocking Off, Unforgiven and Our Friends in the North.

After attending Bury Grammar School, she studied History at Cambridge University before becoming a producer and script-editor at the BBC in London.

Love Manchester

MMU Vice-Chancellor Professor John Brooks said: ‘We recognise Nicola Shindler for her outstanding contribution to drama as a scriptwriter and producer. Her Red Production Company has put Manchester firmly on the location map for British TV drama.’

Nicola said: ‘It’s a marvellous honour. You never expect anything like this, when you are just doing a job you love! It is very flattering and somewhat overwhelming.’

‘I love Manchester, it is very strong as a creative centre. I think writers respond to the city, its language and its stories which are full of character.’

Speaking to graduates from the Faculty of Art and Design, she said: ‘The key into television is to have something to contribute, even if you do not know where you will fit in just yet. Learn to have a particular skill-set, whether it is lighting, cameras, editing or whatever.’

Comedians

‘Two graduates from MMU – Steve Coogan and John Thompson – may not have known exactly where they would fit into television, but as students they learned the precious skill of comedy!’

And she said that Manchester was a ‘good place to be right now for the creative arts’.

Red Productions, the name is inspired by the Reds of Manchester United – is notable for its policy of reading all scripts it is sent. Added Nicola: ‘Reading everything is our way of giving something back and it is not that we necessarily want only new writers – it is important to give people access who might not get it anywhere else.’